Basic Extinct

Vue de l'exposition collective Basic Extinct, 2018-2019, Silicone, espace d’art contemporain, Bordeaux

Pierre Clement et Michele Gabriele
action issue du Contrat de filière Arts plastiques et visuels en Nouvelle-Aquitaine, porté par ASTRE
Avec le soutien du conseil régional de Nouvelle-Aquitaine et de l'État représenté par la Drac Nouvelle-Aquitaine

Vue de l'exposition Basic Extinct

Pierre Clement, PERS,SC,PLX,OYST,SYS (a), 2018

Pin, MDF, acrylique, impression UV sur verre acrylique transparent, coquilles d'huîtres, sisal, écorces de laurier, coton, pointes de flèches primitive tech, branche de laurier, tubes fluorescents, 140 x 100 x 12 cm

Michele Gabriele, It's always so hard to admit that things are different than what we had believed at first sight, 2018

Arrière plan: Pierre Clement,PERS, SC, PLX, OYST, SYS (a), 2018

**Pierre Clement, _PERS,SC,PLX,OYST,SYS (c),_ 2018** Pin, MDF, acrylique, impression UV sur verre acrylique transparent, coquilles d'huîtres, sisal, écorces de laurier, coton, pointes de flèches primitive tech, branche de laurier, tubes fluorescents, 140 x 100 x 12 cm

Michele Gabriele, It's always so hard to admit that things are different than what we had believed at first sight, 2018

Arrière plan : Pierre Clement, PERS,SC,PLX,OYST,SYS (c), 2018

Michele Gabriele, It's always so hard to admit that things are different than what we had believed at first sight, 2018

Huile sur argile époxy, acier, câbles, verre, silicone pigmenté, plastique, béton, bouteilles de détergent, environ 80 x 60 x 30 cm

Pierre Clement, PERS,SC,PLX,OYST,SYS (b), 2018 Pin, MDF, acrylique, impression UV sur verre acrylique transparent, coquilles d'huîtres, sisal, écorces de laurier, coton, pointes de flèches primitive tech, branche de laurier, tubes fluorescents, 270 x 140 x 12 cm

Pierre Clement, PERS,SC,PLX,OYST,SYS (b), 2018, (détail)

Pierre Clement, PERS,SC,PLX,OYST,SYS (b), 2018, (détail)

Pierre Clement, PERS,SC,PLX,OYST,SYS (b), 2018, (détail)

Pierre Clement, PERS,SC,PLX,OYST,SYS (d), 2018

Pin, MDF, acrylique, impression UV sur verre acrylique transparent, coquilles d'huîtres, sisal, écorces de laurier, coton, pointes de flèches primitive tech, branche de laurier, tubes fluorescents, _ 270 x 140 x 12 cm

Pierre Clement, PERS,SC,PLX,OYST,SYS (d), 2018, (détail)

Pierre Clement, PERS,SC,PLX,OYST,SYS (d), 2018, (détail)

Pierre Clement, PERS,SC,PLX,OYST,SYS (d), 2018, (détail)

Michele Gabriele, It's always so hard to admit that things are different than what we had believed at first sight, 2018

Huile sur argile époxy, acier, câbles, verre, silicone pigmenté, plastique, béton, bouteilles de détergent, environ 80 x 60 x 30 cm

Michele Gabriele, It's always so hard to admit that things are different than what we had believed at first sight, 2018

Pigmented silicone, steel, detergent bottle, camera
environ 60 x 30 x 30 cm

Michele Gabriele, It's always so hard to admit that things are different than what we had believed at first sight, 2018, (détail)

Michele Gabriele, It's always so hard to admit that things are different than what we had believed at first sight, 2018, (détail)

Pierre Clement, PERS,SC,PLX,OYST,SYS (f), 2018 Pin, MDF, acrylique, impression UV sur verre acrylique transparent, coquilles d'huîtres, sisal, écorces de laurier, coton, pointes de flèches primitive tech, branche de laurier, tubes fluorescents, 140 x 100 x 12 cm

Pierre Clement, PERS,SC,PLX,OYST,SYS (e), 2018

Pin, MDF, acrylique, impression UV sur verre acrylique transparent, coquilles d'huîtres, sisal, écorces de laurier, coton, pointes de flèches primitive tech, branche de laurier, tubes fluorescents
140 x 100 x 12 cm

Michele Gabriele, Your lies embarrass me so much that when I found out exactly what it was, I'd rather pretend to believe your words, 2018

Huile sur plâtre, acier, câbles, verre, caoutchouc, tissu, plume, environ 60 x 60 x 25 cm

Michele Gabriele, Your lies embarrass me so much that when I found out exactly what it was, I'd rather pretend to believe your words, 2018, (détail)

Michele Gabriele, Your lies embarrass me so much that when I found out exactly what it was, I'd rather pretend to believe your words, 2018, (détail)

Courtesy des artistes Crédits photographiques : Mounia ben Hamouda